Use a delay with it’s own built-in filter so that only the higher frequencies cause echos.Add an Automated Auto Filter Low Pass (to rhythmically remove highs).Bright E-Pianos worked well for me and I also have had good luck with Sylenth, I think because it has a slightly retro-deep house sound (at least the presets I had laying around).I like an Ableton Chord set on 3, 7, 14, 10, -2. Use an open-voiced minor chord (minor 9ths work well).I got the best results with this sequence of Ableton effects
You can also use a bandpass filter and an LFO to automate the frequency. The Auto Filter technique uses a Low Pass filter manually automated over the frequency (draw the filter frequency sweeps in so you can time them rhythmically). Sadly, aside from Tantra, I haven’t found a magic filter plugin for quick-and-easy results. Otherwise, I’ve tried a ton of plugins and find myself preset surfing with poor results.
ABLETON SIMPLE DELAY BANDPASS PATCH
a sub bass patch with a few pre-mapped macro knobs, so that I dont have to load it every time. The Tantra plugin is good for easily generating filtered sequences (it has some good presets). My template is: 1 audio track thats set to record from Reason. DJM Filter A DJM filter is an SVF that allows for simultaneous control of LP and HP. Cadence The Cadence filter and pan effect are controlled by an LFO. Fabric 70 Basic Filters is a plugin for IIR filters with envelopes and LFOs. To create this effect yourself, the most repeatable technique I’ve found is to automate an Auto Filter cut off over a bright sound. MBandPass With MBandPass, you can apply high-pass and low-pass filters. Grab some stabs, throw them in your project and alternate them until you get a good call and response going.
I’ve bought several, the place to start is Sample Market and the PIV packs. If you’re just starting out, you can start with a sample pack. I can hear reversed sounds in there, and also delays. A bright rhythmic stab with a rhythmic filter over it. Above are some examples of what I’m going for.
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